Vol. 3-Unreleased Art

Vol. 3-Unreleased Art Review

Art Pepper, legendary alto sax player, is known as one of the greatest jazz artists of his generation. But he always soared far beyond the dated categories of swing and be-bop in his lyricism, technical brilliance, soulfulness, and solid, down-home raunchy sweetness. VOLUME 3 is a TWO DISC SET, a (nearly) complete concert performed in Croydon, England at the acoustically admirable Fairfield Hall. Art was, at this time, almost continually touring with the first of his comeback bands, and this band was TIGHT. They knew and understood the tunes and communicated as only true jazz people can in performance, like a team of rhythmic, lyric, limber psychics. All Art's bands had great moments. This is one of those moments with this magnificent band: Milcho Leviev on piano, Bob Magnusson on upright bass, Carl Burnett on drums. John S. Wilson praised this quartet in the New York Times, saying they made Art s innate rhythmic drive even more buoyant and referring to Bob Magnusson as fabulously fast-fingered. Critic Gary Giddins, in The Village Voice, said Bob Magnusson's sure time and rich tone in the bottom register complemented Pepper s frequently ethereal gambits and praised Carl Burnett s chatty responsiveness. Musician and critic Jon Hendricks called Milcho Leviev a most marvelous pianist, a real joy. He plays with beauty and passion. When I sent Milcho these discs, he listened and then called me up, exultant. "We were so good!" he said. "We were so GOOD!" Mastered by Wayne Peet, the quality is excellent. (Included: a twelve page booklet with reminiscences and photos by Laurie) (moi). Nobody has it. It's an instant collectors' item.

To Da Max 1997-2004

To Da Max 1997-2004 Review

Pepper "To Da Max 1997-2004" is a brand new collection of Pepper's unreleased b-sides, demos and live performances recorded between 1997 and 2004. Included in this 19 track collection are rare recordings like "The Arena", a cover of "Armagideon Time" (by Willie Williams, later covered by The Clash), live acoustic performances, tracks from the band's very first recording session and even a live acoustic version of 2006's "Crazy Love". A must for every fan, this retrospective is an inside look at the bands creative process and extensive undocumented repertoire. Featuring all new original Ben Brough artwork (Danny the Fish), extensive liner notes, anecdotes about each track from the band and never before seen photos.

Who Killed Sgt Pepper

Who Killed Sgt Pepper Review

Who Killed Sgt Pepper Feature

• Rock

Recorded in early & late 2009 between Iceland & Berlin with a US tour in between, the Brian Jonestown Massacre move forward with this new full length album "Who Killed Sergeant Pepper ?". Working with musicans of the likes of Will Carruthers (ex Spacemen 3 & Spiritualized) , Unnur Andrea Einarsdottir (who recorded vocals on the last BJM album) and other musicians from France, Germany and Iceland, this is the band's most 'multicultured' release to date, while still retaining their trademark style throughout the course of the album. The 13 tracks ranging from the ambient bhangra beats to rock to shoegaze to gypsy influences of Eastern Europe music & then back again to the subliminal all tinged with the bands trademark psych.

Landscape

Landscape Review

Heritage of Jazz Series. Japanese Limited Edition in an LP-STYLE Slipcase Digitally Remastered featuring New Artwork. Limited to 3000 Copies.

Quintet

Quintet Review

Digitally remastered and expanded edition including bonus tracks. Contains the complete original album The Jimmy Knepper-Pepper Adams Quintet, which marked the two musicians' first recorded collaboration, and one of the very few they made in a quintet format. They are backed here by a splendid rhythm section including Wynton Kelly on piano, Doug Watkins on bass, and Elvin Jones on drums. A complete session featuring almost the exact same group, with alto saxophonist Sonny Redd replacing Knepper, has been added as a bonus. American Jazz Classics.

Red Hot Peppers Session

Red Hot Peppers Session Review

The rather long title says it all-this is the essential Jelly Roll, 24 tracks that include at least one version of every song ( Black Bottom Stomp; Doctor Jazz; Grandpa's Spells , etc.) he recorded during the legendary Chicago Red Hot Peppers sessions.

No Limit

No Limit Review

Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. 2006.

Essential Standards

Essential Standards Review

An all-new CD series featuring legendary jazz artists performing standards from the Great American Songbook and beyond.

Freaky Styley

Freaky Styley Review

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

The Lowdown

The Lowdown Review

This 2 disc set celebrates the group's incredible career and their unprecedented longevity by way of a CD of interviews, recorded at various points during their time together and with all the band members, the second disc contains an audio-biography detailing the group's story to date and which includes further interview clips interspersed accordingly. Completed with poster, booklets featuring rare photos and outer-slipcase, this limited-edition package is destined to delight fans of the band everywhere as it become a top drawer Chili Peppers rarity.

Sgt. Pepper's Lonely Hearts Club Band (Remastered)

Sgt. Pepper's Lonely Hearts Club Band (Remastered) Review

Sgt. Pepper's Lonely Hearts Club Band (Remastered) Feature

• BEATLES THE SGT. PEPPERS LONELY HEARTS CLUB BAND (ED

Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman The classic original Beatles studio albums have been re-mastered by a dedicated team of engineers at Abbey Road Studios in London over a four year period utilising state of the art recording technology alongside vintage studio equipment, carefully maintaining the authenticity and integrity of the original analogue recordings. The result of this painstaking process is the highest fidelity the Beatles catalogue has seen since its original release.

Within each CD's new packaging, booklets include detailed historical notes along with informative recording notes. For a limited period, each CD will also be embedded with a brief documentary film about the album. The newly produced mini-documentaries on the making of each album, directed by Bob Smeaton, are included as QuickTime files on each album. The documentaries contain archival footage, rare photographs and never-before-heard studio chat from The Beatles, offering a unique and very personal insight into the studio atmosphere.

Beatles Photos

The Beatles Merchandise

The Beatles Rock Band

More from The Beatles

The Beatles Mono Box Set [LIMITED EDITION]

The Beatles Stereo Box Set

The Beatles [USB] [LIMITED EDITION]

By the Way

By the Way Review

By the Way Feature

• RED HOT CHILI PEPPERS BY THE WAY

When the Red Hot Chili Peppers first appeared smeared in neon body paint with socks dangling precariously from their wieners, even the most faithful funk-metal convert couldn't have conceived they would be around some 20 years later, carrying on in much the same fashion. Despite a long history of tragedies and personnel upheavals, the California quartet's eighth album is mostly business as usual--and business, as usual, is quite good. The title track, "By the Way," is a powerful, bruised piece of slap-bass and intermediary white-boy rapping. "Universally Speaking" pays sweaty, soulful tribute to singer Anthony Kiedis's hometown of Grand Rapids. And "Lemon Trees on Mercury" sounds eerily like it could have been lifted from 1984's Freaky Styley. The band's reliable eclectic side, meanwhile, surfaces on the Latin-flavored "Cabron" and moody "Venice Queen." But the biggest surprise is "Tear," a masterful homage to the Beach Boys that suggests the Chili Peppers' perpetual state of arrested development may someday lift. --Aidin Vaziri 2002 album.